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Seven Recorders

Music Catalog |  Unaccompanied |  Seven Recorders

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Ballet Egyptien

Luigini, Alexandre, arr. Usher
7 SoSATTBGb (orch)
7 SoSATTBGb (orch)

Price: £13.50
Qty:  
Ref: P91

Concerto Grosso Op 84

Maddox, Richard Peter
7 AAATTBGb
7 AAATTBGb

Price: £14.30
Qty:  
Ref: OMP132

Lieti solcando il mare verdana

Malvezzi, Cristofano ed Hanks
7 SSATBBB
7 SSATBBB

Price: £10.30
Qty:  
Ref: ETF027

Suite for Two Choirs

Marshall, Ann
7 SATTBGbCb. Allegro  - Andante  - Vivo. Most music in two choirs is quite serious, at least moderately difficult, and composed some hundreds of years ago. Ann hopes that her suite will fill a gap, in that it is cheerful, it is quite straightforward to play, and it was written in 2014! IShe wrote the suite for the Orchestra on the Hill, on the occasion of their fifth birthday. Total playing time is about six minutes.
7 SATTBGbCb. Allegro  - Andante  - Vivo. Most music in two choirs is quite serious, at least moderately difficult, and composed some hundreds of years ago. Ann hopes that her suite will fill a gap, in that it is cheerful, it is quite straightforward to play, and it was written in 2014! IShe wrote the suite for the Orchestra on the Hill, on the occasion of their fifth birthday. Total playing time is about six minutes.

Price: £10.50
Qty:  
Ref: MHE10314

Three Trinkets

Marshall, Ann
7 SAATTBGbCb. Ann says: 'These trinkets are like three different frames of mind. The first is quite happy-go-lucky and has a Caribbean feel, the second is calm and reflective, and the third is energetic in a country dance sort of way. Something else I was trying to do in each piece in this eight-minute suite was to use a lot of imitation, so you will hear little thoughts bouncing backwards and forwards throughout the band. And not least in the first trinket, which features an eight-part canon.'
7 SAATTBGbCb. Ann says: 'These trinkets are like three different frames of mind. The first is quite happy-go-lucky and has a Caribbean feel, the second is calm and reflective, and the third is energetic in a country dance sort of way. Something else I was trying to do in each piece in this eight-minute suite was to use a lot of imitation, so you will hear little thoughts bouncing backwards and forwards throughout the band. And not least in the first trinket, which features an eight-part canon.'

Price: £11.00
Qty:  
Ref: MHE20713

Lancashire Concerto

Marshall, Ann
1 S + SATBGbCb. Ann Marshall wrote this concertino for Margaret Shearing. Margaret lives some miles north of Rochdale - an area in which Ann lived thirty years ago. It’s an interesting area, with a great deal of folk tradition and a rich industrial heritage, and with the moorlands always just on the doorstep. The moors can be bleak, but have a real grandeur about them. The movements of this concertino reflect, very indirectly, memories of this corner of England – memories of working mills, moorland walks and folk dancing respectively. The solo part is quite difficult, but the orchestral parts of this ten minute piece are quite straightforward, and a wide variety of ensembles will be able to play them.
1 S + SATBGbCb. Ann Marshall wrote this concertino for Margaret Shearing. Margaret lives some miles north of Rochdale - an area in which Ann lived thirty years ago. It’s an interesting area, with a great deal of folk tradition and a rich industrial heritage, and with the moorlands always just on the doorstep. The moors can be bleak, but have a real grandeur about them. The movements of this concertino reflect, very indirectly, memories of this corner of England – memories of working mills, moorland walks and folk dancing respectively. The solo part is quite difficult, but the orchestral parts of this ten minute piece are quite straightforward, and a wide variety of ensembles will be able to play them.

Price: £16.00
Qty:  
Ref: MHE11011

Recorder Septet No. 1

Marshall, Ann
SnoSATBGbCb. Ann says: 'My first recorder septet is in four movements. All movements start with musical material that is the same, apart from key and tempo, but then each movement develops along very different lines. The septet, which is of no more than moderate difficulty, works equally well played one-to-a-part, or by a several-to-a-part recorder orchestra. Total playing time is about eight minutes.'
SnoSATBGbCb. Ann says: 'My first recorder septet is in four movements. All movements start with musical material that is the same, apart from key and tempo, but then each movement develops along very different lines. The septet, which is of no more than moderate difficulty, works equally well played one-to-a-part, or by a several-to-a-part recorder orchestra. Total playing time is about eight minutes.'

Price: £14.50
Qty:  
Ref: MHE30718

Recorder Septet No 2

Marshall, Ann
7 Sno.SATBGbCb. Ann says: 'I was encouraged to write a second recorder septet by the success of the first. I think that reasons for its success included that there are still very few recorder septets in existence, and even fewer of only moderate difficulty. This piece is in five, very contrasting movements. It uses the same instrumentation as the first septet – sopranino down to contrabass – and it is equally suited to one-to-a-part playing or several-to-a-part orchestral playing. Total playing time is about nine minutes.'
7 Sno.SATBGbCb. Ann says: 'I was encouraged to write a second recorder septet by the success of the first. I think that reasons for its success included that there are still very few recorder septets in existence, and even fewer of only moderate difficulty. This piece is in five, very contrasting movements. It uses the same instrumentation as the first septet – sopranino down to contrabass – and it is equally suited to one-to-a-part playing or several-to-a-part orchestral playing. Total playing time is about nine minutes.'

Price: £15.50
Qty:  
Ref: MHE21118

Seven Monmouth Miniatures

Marshall, Ann
SAATBGbCb. Ann says: 'I wrote these miniatures to celebrate the 30th birthday of the U3A group based at Monmouth. I am the musical director of the recorder ensemble within Monmouth U3A, and the instrumentation reflects the recorders we regularly use. We are a large ensemble, including great bass and contrabass recorders, and those recorders are essential in these miniatures. The seven miniatures explore a variety of moods and, in a reference to the birthday, they are all exactly thirty bars long. The pieces are of no more than moderate difficulty, and work equally well played one-to-a-part, or by a several-to-a-part recorder orchestra. Total playing time is about nine minutes.'
SAATBGbCb. Ann says: 'I wrote these miniatures to celebrate the 30th birthday of the U3A group based at Monmouth. I am the musical director of the recorder ensemble within Monmouth U3A, and the instrumentation reflects the recorders we regularly use. We are a large ensemble, including great bass and contrabass recorders, and those recorders are essential in these miniatures. The seven miniatures explore a variety of moods and, in a reference to the birthday, they are all exactly thirty bars long. The pieces are of no more than moderate difficulty, and work equally well played one-to-a-part, or by a several-to-a-part recorder orchestra. Total playing time is about nine minutes.'

Price: £14.00
Qty:  
Ref: MHE40718

Recorder Septet No 3

Marshall, Ann
7 SoSATBGbCb. Ann says:My third recorder septet has the same instrumentation as the first two. It is equally suited to one-to-a-part playing or several-to-a-part orchestral playing. I was encouraged to write another recorder septet because of the shortage of septets and (with all due modesty) by the success of the others. Total playing time is about ten minutes.
7 SoSATBGbCb. Ann says:My third recorder septet has the same instrumentation as the first two. It is equally suited to one-to-a-part playing or several-to-a-part orchestral playing. I was encouraged to write another recorder septet because of the shortage of septets and (with all due modesty) by the success of the others. Total playing time is about ten minutes.

Price: £15.50
Qty:  
Ref: MHE30120

Recorder Concerto 1

Marshall, Steve
7 S+ATBBGbCb. This mildly jazzy concerto was composed in 2001, originally using a treble recorder soloist. It has now been revised extensively - the solo instrument is now a descant, and the orchestra is a rather dark TrTBBGtBCtB. A one-to-a-part orchestra would work well, but the balance will still be fine with several-to-a-part. The ensemble parts are never more than moderately hard, although unsurprisingly the solo part needs a very good player.
7 S+ATBBGbCb. This mildly jazzy concerto was composed in 2001, originally using a treble recorder soloist. It has now been revised extensively - the solo instrument is now a descant, and the orchestra is a rather dark TrTBBGtBCtB. A one-to-a-part orchestra would work well, but the balance will still be fine with several-to-a-part. The ensemble parts are never more than moderately hard, although unsurprisingly the solo part needs a very good player.

Price: £18.00
Qty:  
Ref: MHE70303a

Five Spirituals

Marshall, Steve
7 SATTBGbCb. This is a collection of five spirituals which are available in other May Hill Edition titles with various instrumentations. They are here rearranged for seven recorders and sound good whether one-to-a-part or in a larger ensemble. The arrangements are easy, but interesting, and they are particularly suited to an 'easy recorder orchestra' group.
7 SATTBGbCb. This is a collection of five spirituals which are available in other May Hill Edition titles with various instrumentations. They are here rearranged for seven recorders and sound good whether one-to-a-part or in a larger ensemble. The arrangements are easy, but interesting, and they are particularly suited to an 'easy recorder orchestra' group.

Price: £13.50
Qty:  
Ref: MHE40509
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