Festival Fantasy
Marshall, Steve
6 SATBGbCb. Steve wrote this for the closing massed playing session of the 2008 Cheltenham Recorder Festival, where it was conducted by Pam Smith. Although he says so himself the piece is quite cunningly written, in that almost the entire nine minutes is based on the first two bars. Those bars may come back at different speeds, in different keys or with different articulations, but they are never far away. You have to wait until bar 150 for some genuinely new melodic material. The result (he hopes) is that the whole piece feels like a unit, even though it goes through several moods. This piece is quite resilient - it would work well one-to-a-part, with a small or large orchestra, or with a hundred people (as it was done, very impressively, at the Cheltenham Recorder Festival).
6 SATBGbCb. Steve wrote this for the closing massed playing session of the 2008 Cheltenham Recorder Festival, where it was conducted by Pam Smith. Although he says so himself the piece is quite cunningly written, in that almost the entire nine minutes is based on the first two bars. Those bars may come back at different speeds, in different keys or with different articulations, but they are never far away. You have to wait until bar 150 for some genuinely new melodic material. The result (he hopes) is that the whole piece feels like a unit, even though it goes through several moods. This piece is quite resilient - it would work well one-to-a-part, with a small or large orchestra, or with a hundred people (as it was done, very impressively, at the Cheltenham Recorder Festival).